This trope mostly applies to a negative portrayal of existential nihilism. See also The Unfettered-what they end up as because of their dedication to their philosophy-and Virtue Is Weakness, who believes that morality is a flaw rather than pointless (though some villains believe both). Contrast The Anti-Nihilist, who also thinks life has no inherent meaning yet reaches inverse conclusions about morality and the value of life. Compare the Übermensch, The Social Darwinist, and The Fatalist. Hollywood Atheist is a similar stereotype leveled against any people who don't believe in God or religion, assuming that they are all nihilistic (and by this trope, therefore amoral) by default. See The Anti-Nihilist for examples of such subversions. Indeed, most philosophers who specialise in the subject are rather neurotypical instead of the self-harming and/or psychotic types often portrayed in fiction, and it is possible for one can have a nihilistic outlook on the world at large, and still adhere to personal moral values. However, the conclusion that life has no meaning does NOT automatically cause someone to commit suicide or go insane. Note that nihilism in its simplest form is the belief that life is without objective meaning, purpose, or intrinsic value. We use " Straw" as part of the title because it's a stereotype that rarely applies to real nihilists. They also often use No Good Deed Goes Unpunished, Being Good Sucks and Go Mad from the Revelation as Freudian Excuses on why they have a nihilistic outlook on life. In more straightforward Science Fiction and Fantasy stories, they are usually Chaotic Evil villains who are always preaching hate and plotting destruction, and can get really over the top in their behavior. Hedonism can serve as a justification on why he has not killed himself yet, because he's having too much fun (even though this contradicts their message of life being worthless). The Straw Nihilist's behavior is often expected to be like that of The Hedonist or The Sociopath, since, if he doesn't subscribe to morality, he has no restraint in pursuing his instinctual desires. But if done badly, they can end up looking like a gratuitous scene of Wangst, making people only get puzzled on why they haven't been Driven to Suicide yet. Exposition, sometimes they do have a justifiable point in their ramblings while other times, everything they say is a Fauxlosophic Narration or even a Red Herring, or they're a mix of all of them. Their ability to play existential mind games and force the audience into ethical dilemmas make them a popular sage in the Ontological Mystery genre, Existential Horror, and amoral Crapsack Worlds such as the Cosmic Horror Story. These are one of the inhabitants of the cynical side of the Sliding Scale of Idealism Versus Cynicism.
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